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Home / Myrna Baez Obras the Art Dealer Museo Del Turabo

Myrna Baez Obras the Art Dealer Museo Del Turabo

Puerto Rican painter and printmaker

Myrna Báez
Myrna-Baez-Vilma-Liella.jpg

Báez during the filming of "The Other Intention"
Born (1931-08-18)Baronial 18, 1931

Santurce, Puerto Rico
Died September 24, 2018(2018-09-24) (aged 87)

Hato Rey, Puerto Rico
Education University of Puerto Rico
San Fernando Art Academy
Plant of Puerto Rican Culture
Pratt Institute
Known for Painting
Printmaking

Myrna Báez (built-in August eighteen, 1931 - September 24, 2018) was a Puerto Rican painter and printmaker, considered one of the near important visual artists in Puerto Rico.[1] [2] [iii] She has been instrumental in promoting art and art education in her state.[four] Her work has been shown and collected by the Metropolitan Museum of Art, the Smithsonian American Art Museum and the Museum of Modern Art in New York. Her work has been characterized as confident and complex.[five] She lived and worked in San Juan, Puerto Rico.

Life and teaching [edit]

Báez was born in Santurce, Puerto Rico, to an upper-centre-class family and was one of v children. Her father, Enrique Báez was a ceremonious engineer and her mother, America Gonzalez was a teacher and an independent and confident woman.[half dozen] Báez was strongly influenced by her mother. Her mother insisted that all of her children take classes in the arts and she exposed them to the theater and reading.[3] Báez started painting classes at age nine.[3] Báez was described as an intelligent and gifted child.[6] She graduated from the Colegio Puertorriqueno de Niñas in 1947.

Báez received a bachelor's degree in the sciences from the Academy of Puerto Rico in 1951.[4] She was exposed to many cultural and artistic movements while at the University. There had been a migration of many Spanish intellectuals and artists to Puerto Rico at the time and many of them were active around the Academy.[three] She began to develop ideas about issues surrounding Puerto Rican independence. She believed that Puerto Rico should be an independent country.[6] Báez attended political rallies and cultural events.[three] Báez supported the woman'southward rights movement and identifies as a feminist.[3]

Báez left for Spain, initially to report medicine but ended upward completing studies on painting at the Royal Academy of San Fernando in Madrid.[4] [vii] Before she arrived in Spain, she spent fourth dimension in New York and Paris, immersing herself in the civilization of both cities. In 1952, her passion for the arts led her to exit medical studies and pursue painting. She practical at the San Fernando Fine art Academy and was rejected, merely she worked difficult to build upwards her portfolio and was accepted in 1953.[iii] She received her master's degree in art from San Fernando Art Academy in 1957. Afterward, she returned to Puerto Rico to study with graphic artist Lorenzo Homar at the Plant of Puerto Rican Culture in San Juan.[8] Later, she studied at the Pratt Institute in Brooklyn from 1969 to 1970.[7]

She died on September 24, 2018, following a middle attack, while in convalescence for a lung infection at Auxilio Mutuo Hospital, in Hato Rey, Puerto Rico.[9] Her family had her remains cremated.

Career and art [edit]

Báez's career started in 1957. She was a teacher of painting and cartoon at schools in Puerto Rico between 1962 and 1987. From 1981 to 1987 she taught at the Art Students League in San Juan.[8] Báez paints in both oil and acrylic. Báez's paintings are "softly painted" and "luminous."[2] Her prints, specially her collotypes, are "rich" in texture and color.[10]

Much of Báez'southward early art works, created during the 1960s, are described every bit "traditional images of Puerto Rico." During her before menstruum of piece of work, she often portrayed images of "everyday life" for "Puerto Rico's working-form people."[8] She began to use more printmaking techniques, such every bit engraving and woodcuts. She afterward studied lithography and intaglio techniques with Dimitri Papagiourgi in Spain.[6] She became influenced past impressionism, surrealism and abstract fine art, incorporating many of these aspects into her work.[6]

Báez became interested in working with collotypes in the 1970s.[6] During this time, the political climate of Puerto Rico had shifted. Her work began to focus on the new middle class.[half dozen] Fine art critic Margarita Fernández Zavala identifies class struggles in Báez'southward work which often explores urban themes and an emerging Puerto Rican suburbia.[vi] There is a sense of uneasiness where individuals depicted in her portraits of this period seem unsure of their new economic and social status.[eight] Báez creates a sense of dichotomy with these pictures where the individuals portrayed don't seem to completely fit-in with their surroundings. They seem both at-odds with their world and, yet her vivid sense of colour lifts them out of the ordinariness of everyday life.[eight]

The sense of space and how individuals fit into that created space is a trend that continues in her work. Báez creates multiple dimensions in her prints and paintings, using frames, reflections, pictures on walls and open windows to build layers of "unreal" space.[8]

Báez has been influenced by the works of European masters, just locates her classically derived figures in Caribbean settings.[11] She references great masters and re-imagines famous female nudes with intent to both disguise the figures and reveal them.[12] Báez'south portraits continue to question the idea of the male gaze.[12] She paints women from a female perspective or a personal sense of agreement and which however imply a strong sense of her ain identity equally a woman.[iii] Her figures accept been considered part of the field of socially concerned figurative painting.[ten]

Báez was one of the founding members of the Puerto Rican arts group, Hermandad de Artistas Gráficos in 1981. This grouping was initially established to protestation government intervention in cultural matters.[6]

Báez founded the fine arts program at the Sacred Heart University in Puerto Rico. Since 1988,[half dozen] she has been an artist-in-residence and is currently working there in an boosted capacity every bit a professor.

In 1983 Báez was included in the exhibition Images and Identities: Art and Artists of Puerto Rican Heritage at Paul Robeson Galleries,[13] Rutgers University-Newark.

Awards and honors [edit]

In December 2014, the annual Campechada cultural and artistic festival in Old San Juan was dedicated to Báez'southward career and piece of work.[14] This was the first time a living artist and a woman was celebrated by the festival.[ane]

  • National Medal of Culture for Contributions in Art (1997)
  • Honoris Causa Doctored Degree in Art from Universidad del Sagrado Corazón (2001)

Quotes [edit]

"I do not want to do landscapes for tourists nor make pictures of the sentimental, nostalgic or folkloric things that people in this country suffer from due to a lack of identity. I am using landscape considering I am interested in the class, because I'm interested in color, because I'm interested in the place... I'1000 interested in expressing: lite—that which surrounds united states, the shapes that have formed me, that have made me and that movement me."[three]

References [edit]

  1. ^ a b "Thousands to attend Campechada cultural festival in San Juan". Fox News Latino. xiii December 2014. Retrieved iv March 2015.
  2. ^ a b Benson, Elizabeth P. (2004). Retratos: 2,000 Years of Latin American Portraits. Yale University Printing in association with San Antonio Museum of Art; National Portrait Gallery, Smithsonian Institution; and El Museo del Barrio. p. 296. ISBN0300106270.
  3. ^ a b c d e f k h i González, María de Jesus (one June 2007). "Myrna Báez: Her Art and Her Identity". Anthurium: A Caribbean Studies Journal. 5 (1): 2. doi:10.33596/anth.88 . Retrieved 5 March 2015.
  4. ^ a b c "Artist Painter, Myrna Báez". Puerto Rican Painter. Archived from the original on February 26, 2017.
  5. ^ Traba, Marta (June 1980). "Myrna Báez : notas sobre una pintura difícil / Marta Traba". Imagen (in Castilian). International Center for the Arts of the Americas. four . Retrieved 4 March 2015.
  6. ^ a b c d eastward f one thousand h i j Mendez, Serafin Mendez; Cueto, Gail, eds. (thirty July 2003). Notable Caribbeans and Caribbean Americans: A Biographical Dictionary (1st ed.). Greenwood. pp. 30–32. ISBN978-0313314438.
  7. ^ a b Heller, Nancy (1995). North American Women Artists of the Twentieth Century . New York: Garland. pp. 46. ISBN9780824060497.
  8. ^ a b c d due east f Congdon, Kristin G.; Hallmark, Kara Kelley, eds. (2002). Artists from Latin American Cultures: A Biographical Dictionary (1st ed.). Greenwood. pp. 24–27. ISBN978-0313315442.
  9. ^ Romero, Ivette (September 25, 2018). "Puerto Rican Creative person Myrna Báez Passes Abroad". Repeating Islands . Retrieved January 21, 2019.
  10. ^ a b Cockcroft, Eva Sperling (1993). "From Barrio to Mainstream: The Panorama of Latino Art". In Lomeli, Francisco; Kanellos, Nicolas; Esteva-Fabregat, Claudio (eds.). Handbook of Hispanic Civilization-Literature and Art. Houston, Texas: Arte Publico Press. pp. 202–203. ISBN9781611921632.
  11. ^ McMillan, Janet (twenty February 1987). "Myrna Baez'due south Canvas Is Puerto Rico The Artist, Whose Piece of work Is On View Here, Paints Her Passion For Her Homeland". The Inquirer, Philadelphia . Retrieved four March 2015.
  12. ^ a b Bleys, Rudi (27 Oct 2000). Images of Ambiente: Homotexuality and Latin American Art, 1810-today. Bloomsbury Academic. pp. 110–111. ISBN9780826447234.
  13. ^ "Most – Paul Robeson Galleries". Retrieved 2020-03-07 .
  14. ^ "Defended to Myrna Báez the Campechada 2014". El Nuevo Dia (in Spanish). sixteen October 2014. Retrieved 4 March 2015.

External links [edit]

  • Myrna Báez Biography
  • La otra intención, (2015)

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Source: https://en.wikipedia.org/wiki/Myrna_B%C3%A1ez